Related Articles

RIAA Source Data -- RIAA's statistics are available in pdf format at the RIAA.org website.

RIAA Statistics Don't Add Up to Piracy (Dec. 2002)

RIAA Claims Royalty Imbalance (Dec. 2006)

 

The Numbers Game -- RIAA Statistics from 1982 to 2007

If you've ever looked at the RIAA's statistics and read the accompanying information that they provide, you know that they can sometimes be confusing, if not outright contradictory. This section is an ongoing effort to make this information as easy to understand as possible.

Vinyl's Big Comeback

In 2007, there was a lot of discussion in the media about the resurgence of the vinyl format. I suppose this depends on your definition of "resurgence."

CDs/Cassettes/LPs/EPs

Singles

Music Video/DVD/SACD

Promotional/Specialty Copies

The Value of the Recording Industry

 

Deflating Music's Mythical Statistics

The RIAA claims to have shipped out about $10.5 billion in physical goods in the U.S. in 2005. As recently as 2002, the RIAA's year-end data didn't bother to explain where the "dollar value" of these shipments came from. 2003 revealed that "Dollar Value reflects the total suggested retail list prices of shipments", followed in 2005 by the further clarification that "Retail value is value of shipments at recommended or estimated list price."

Side trip for evidence. Take a quick glimpse at Amazon's top seller list. The "list price" is the price that always gets scratched out. Nobody pays full list price. The discounts range from 21 to 58 percent on the page as it appeared as I wrote this, with the average discount for the top 25 albums of the moment at 37%.

So that $10.5 billion probably looks more like $6.6 billion in reality, which still includes the retailer's cut. As we know, pirates stole the "missing" billions that were never really there.

Of course, that's just an estimate based on how many CDs were packaged and shipped out. For the reliable statistics on sales you have to go to SoundScan, which will charge you a small fortune to learn what their estimates are. For all of the scanning and electronic transaction technology we hear so much about, only a fraction (size unknown) of retail outlets report to SoundScan and they interpolate this data into national sales.

It's an educated guess, but when you come right down to it, it's still just a guess.

Fans the Industry Forgot -- Or Not

By George Ziemann -- November 24, 2006

Jeff Leeds of the Los Angeles Times has written a piece about the AARP and its rather new association with the music industry.

"The graying of the music market crept up on America. Even during the ascent of Britney Spears and the Backstreet Boys in the late 1990s, when teen sensations were getting all the attention, consumers 45 and older were the industry's biggest market, according to survey data compiled by the Recording Industry Ass. of America. The gap has only widened since then. Last year fans 45 and older accounted for 25.5 percent of sales, while older teenagers (a group more prone to music piracy) represented less than 12 percent."

As someone physically old enough to be on AARP's list of potential members and still mentally young enough to be horrified at that prospect, I'd like to know what the hell that 25 percent is buying because I'm not hearing anything worth plunking down cash for. This became even more mystifying when I looked at the RIAA's 2005 Consumer Profile, which is seems to be the source of Leed's info for that particular paragraph, and saw that rock accounted for 31.5 percent of sales.

This struck me as odd because I can only think of about five rock albums released last year. Then I noticed that this set of "sales" statistics didn't even come from the RIAA's usual unreliable sources (the record labels' accounting departments), but was the result of a telephone survey. In this case, it would seem to be more accurate to ask Nielsen SoundScan what actually sold. Until you actually look at Nielsen's numbers.

So let's compare...

Genre Market Share -- 2005
(percentages)

Notes on RIAA's
genre definitions
Genre  RIAA Nielsen

R&B includes:

R&B...........Blues...........Dance
Disco..........Funk............Fusion
Motown.......Reggae........Soul

Other includes:

Big Band.....Broadway Shows
Comedy......Contemporary
Electronic.....EMO.......Ethnic
Exercise......Folk........Gothic
Grunge......Holiday Music
House Music......Humor
Instrumental....Language
Latin.......Love Songs......Mix
Mellow.....Modern......Ska
Spoken Word.....Standards
Swing.....Top 40....Trip-Hop
Alternative   19.7
Rock 31.5  
Christian/Gospel 5.3 6.4
Classical 2.4 2.6
Country 12.5 12.2
Pop 8.1  
Jazz 1.8 2.8
Latin   5.8
Metal   10.5
New Age 0.4 0.7
R&B 10.2 23.3
Rap/Hip-Hop 13.3 12.2
Soundtrack 0.9 0.4
Oldies 1.1  
Children's 2.3  
Other 8.5  

When I started writing this column a couple of hours ago, I had a point to make. The starting point was the paragraph quoted at the beginning. Having looked at the RIAA source information and comparing to Nielsen, it's pretty clear the RIAA can't tell what is being sold, much less who they're selling it to.

Attempting to draw a reasonable conclusion from the RIAA's survey is an exercise in silly. So, as Emily Littella would say, "Never mind."