RIAA Lawsuits

Capitol Records v Jammie Thomas

The Commentary The Outcome

RIAA Ready For a Jury This Time?

by George Ziemann -- Sept. 13, 2007

Author's Note -- All the legal documents pertinent to this discussion can be found at Ray Beckerman's blog, Recording Industry vs The People.

It looks like Jammie Thomas is next in line to join Patricia Santangelo, Debbie Foster, and Tanya Andersen in the winner's circle. Thomas' jury trial is scheduled for October 1. If it actually takes place, it would be the first, so my money is on the RIAA dropping the case at the last minute because, once again, they have no real evidence of anything.

Thomas' case has a new twist, as the RIAA asked to stipulate prior to the trial that a) they are the copyright holders of the songs in question, b) the copyrights are all proper, and c) Jammie Thomas was not authorized to distribute them. After all, your average RIAA troll will tell you, Jammie Thomas certainly isn't the copyright holder, so let's not waste court time to prove it.

Eric Bangeman over at ars technica points out that the RIAA's court-filed claims of ownership don't match the copyright registrations on record. Somehow this takes him to the conclusion that the RIAA is trying to avoid a trial.

It seems to me that the RIAA is merely trying to bypass coughing up the copyright registrations as evidence because the last time they were ready to do that (when suing mp3.com), the artists seemed to have a problem with it. In fact, it was the impetus for the formation of the Recording Artists Coalition.

Surprisingly, some of the artists seem to think that since they have to bear all the costs of producing the recordings, maybe they ought to own them when all is said and done. If the checkbox that says "work for hire" is checked and the labels' ownership of the songs in question is established in a court, it will be much easier for the labels to take permanent ownership of the recordings.

I think that they're not trying to avoid a trial as much as they are trying to avoid a challenge by the artists that could derail their entire case. The only party entitled to bring a copyright infringement case is the registered owner of the copyright. If said ownership comes into question, then the RIAA's right to accuse someone of infringement comes into question as well.

Of course, the RIAA's ability to prove said accusations have always been in doubt. They haven't done it yet. Now at least one judge has dismissed an uncontested case (the defendant didn't even show up) because he had the clarity to notice that the RIAA boilerplate filings are bogus.

Senior District Court Judge Rudi M. Brewster of the US District Court for the Southern District of California said, "Plaintiff here must present at least some facts to show the plausibility of their allegations of copyright infringement against the Defendant. However, other than the bare conclusory statement that on 'information and belief' Defendant has downloaded, distributed and/or made available for distribution to the public copyrighted works, Plaintiffs have presented no facts that would indicate that this allegation is anything more than speculation."

But we always knew that.

RIAA's First Jury Trial Set for Oct. 2

by George Ziemann -- Sept. 27, 2007

The Facts (from Recording Industry vs The People)

The RIAA's motion for "summary adjudication" was denied last week, and the jury trial in Virgin v. Thomas is now scheduled to begin Tuesday, October 2nd, at 9:00 AM, before Hon. Michael Davis, at the federal courthouse in Duluth, Minnesota:

417 Federal Building, 515 W. 1st Street, Duluth, Minnesota

Proceedings are open to the public.

This is a case in which the RIAA has no evidence that the defendant, Ms. Jammie Thomas, committed any copyright infringement. The RIAA has claimed that it will call Dr. Doug Jacobson and Cary Sherman as witnesses, as well as employees of the various record companies and of SafeNet/MediaSentry.

This is believed to be the first jury trial since the RIAA began its litigation campaign more than 4 years ago.

What I Think

There are still five days left for the RIAA to change its mind about taking a case to trial wherein "the RIAA has no evidence". Just like every other case they bring to court.

I'm hoping their ego gets the best of them and they actually go through with a trial. I want to hear (or at least read the transcript of) Cary Sherman testifying in court, under oath, because perjury is gonna take place.

Even better, due to the foresight of Judge Davis, the jury will get to hear why suits from the labels are the owners of the all the copyrights and not Gun N Roses, Vanessa Williams, Janet Jackson, Journey, Godsmack or Sheryl Crow, who I know will be especially pleased to have her work proven to be a "Work for Hire," considering the testimony Sheryl gave to the Senate Judiciary Committee on May 25, 2000.

"As you are aware, the designation of a sound recording as a work made for hire has severe implications for recording artists. The most serious consequence is that featured artists are no longer considered the author of the sound recording and thus are denied the right of termination under the Copyright Act, which is granted to all other authors."

"In the record industry, as a recording artist I do not receive a fee for making an album. I may receive an advance to cover the cost of the recording process, which I am responsible for paying back in full. In other words, I don't receive a dime from the sale of my records until I have paid for all the costs incurred during production up to the point of distribution.

"In short, the sound recording artist is not only the author but is also the person in charge of all facets of production up to the point of distribution. We give the record labels our work to exploit for 35 years. Like other authors, we should be able to reclaim our work as Congress intended."

The Long Shot

From Napster to Jammie Thomas, the RIAA has consistently taken the path best defined as the ever-changing answer to the question, "What's the stupidest thing we can do next?"

Today's answer is "Lose the first case."

Some of us have been waiting a long time to see this day. If they do lose, then it will be that much easier for Tanya Andersen to take them all to the cleaners, which she's probably going to do anyway.

RIAA Earns Pre-Trial Penalty in Virgin v Thomas

by George Ziemann -- Oct 2, 2007

The case of Virgin Records and the rest of the music cartel against Jammie Thomas begins today in Duluth, with the RIAA managing to shoot themselves just above the left ear before they even get to jury selection.

As anyone who's ever watched Law and Order or CSI knows, there's a "discovery" period, during which the plaintiff (RIAA, in this case) has to cough up all the evidence against the defendant, so that the defense has an opportunity to explain it.

The discovery period for Virgin v Thomas ended seven months ago. Since you have to be the registered copyright owner to bring an infringement case, the RIAA really needed to offer evidence that they owned the songs in question. What Thomas' attorney got was a list of 27 titles, who owned them, and copies of copyright registrations. One small problem, 14 of those songs (more than half) were registered to someone other than the parties bringing the lawsuit.

Two weeks ago, the RIAA arrogantly showed up with 784 pieces of paper that they claim will show how possession of the copyrights was transferred to the current owners. Thomas' attorney called "foul" because these documents should have been provided long ago.

On Oct. 1, the judge agreed. Now the RIAA is precluded (banned) from admitting any of the entire stack of new documents. This will make the question of ownership of more than half the songs referred to in the case even more difficult for the RIAA to establish. Now they're stuck with their own disinformation and half-truths.

Oh yeah, this is gonna be good.

Oct 2 -- Day 1 -- Case renamed Capitol Records v Jammie Thomas because the RIAA dropped the only Virgin Records tune from the case. Jury was selected and RIAA immediately started introducing half-truths (making even one copy of a song you legally purchased is theft) and conjecture ("the defendant distributed the songs to 'millions of others' on the Internet").

Another problem for the RIAA -- Thomas had a problem with her hard drive and had it replaced a month before she found out she was being sued by the RIAA.

Day 2 -- The RIAA's Cary Sherman is deemed "not relevant" by the judge, confirming what many of us had known for some time. Thomas confesses to the horrendous crime of liking music. RIAA-hired forensic expert, Doug Jacobson, admits, "The IP address does not identify an individual."

The RIAA, having no real facts or evidence left to introduce, rested its case. The defense said, "That's all you've got? No witnesses, your honor. The defense rests, too." (Okay, that wasn't a real quote, but that's how James Woods would have done it.)

Closing arguments are tomorrow, which the judge has limited to 30 minutes from each side. The jury could be finished deliberating before lunch.

WTF?!?
RIAA Wins Trial, $222k

by George Ziemann -- Oct 5, 2007

The headline links to the story at Wired, which had the earliest reliable details. Also see this Associated Press article and Eric Bangeman's summary of the closing arguments for both sides at Ars Technica. Wired also has the $222,000 playlist and a pdf file of the jury instructions.

Ray Beckerman, an attorney representing several clients against the RIAA, made this comment at his blog, Recording Industry vs The People,

A verdict of $222,000.00, for infringement of 24 song files worth a total of $23.76?

In a case where there was zero evidence of the defendant having transferred any of those files?.

It is one of the most irrational things I have ever seen in my life in the law.

If the Judge doesn't set aside the verdict sua sponte, I expect there to be motion practice to set aside the verdict, based on its obvious unconstitutionality and numerous other reasons, and if that fails I expect there to be a successful appeal.

It is an outrage, and I hope it is a wakeup call to the world that we all need to start supporting the defendants in these cases, and the attorneys who are sacrificing so much to represent them. And the support cannot be with words, it must be with check books. And it cannot be next year, it must be now.

All the business people who make a living from the vibrancy, democracy, and freedom of expression which is the internet, need to get behind the RIAA's victims; if they do not, the world in which they hope to thrive and prosper will disappear rapidly.

The RIAA ghouls smelled blood in Duluth, and I guess they were right.

But it isn't over.

-R.B.

For those non-Latin speaking individuals, sua sponte means "of one's own accord; voluntarily".

Beckerman also pointed out earlier in the week that he was disappointed that Cary Sherman didn't get to testify because he "would be the best possible witness for the defense, except maybe Mitch Bainwol." To confirm this, the AP story quotes Sherman as saying (before the verdict) that "he was surprised it had taken so long for one of the industry's lawsuits against individual downloaders to come to trial."

He was surprised? They could have taken Patti Santangelo to trial, or Debbie Foster, or Tanya Andersen. What did this case have that the others didn't? A missing hard drive. This was apparently enough evidence to convince 12 people to give a single mom a bill for $222,000. Plus attorney fees, which Thomas' lawyer surmised to AP could kick the total up to a half-million, which would be a surprise to Debra Foster, who only won $68,000 in attorney fees from the RIAA.

"However, [Thomas' lawyer] said he suspected the record companies 'will probably be people we can deal with.'"

I get the feeling this guy hasn't really been paying enough attention.


The jury instructions indicate that the judge pre-decided that:

  • Downloading is copyright infringement;
  • Making files available through peer-to-peer is copyright infringement, even if no one downloads them.

The RIAA did not have to prove:

  • That Thomas downloaded anything;
  • That she had a copy of Kazaa;
  • That she was the actual person sharing the files in question.
  • That she was aware of alleged sharing of files on her computer.

I'm not even sure how they got past the copyright ownership issue.

But the jurors still decided that the infringement was willful and the RIAA deserved $9250 per song. I guess they thought that Thomas getting her hard drive replaced before the RIAA sued her was proof of her guilt.